Showing posts with label novel. Show all posts
Showing posts with label novel. Show all posts

11.11.2010

writing

Blog posts: easy. They flow off the keys to be released unto the internet, without a care in the world. What's the internet, but a place of noise, regardless of quality.

Also, I've assured myself this blog is an exercise in writing. More a matter of getting something done than doing it to perfection. Of course I edit and try to ensure some clarity but I don't hoard. Instead, writing gets released to the world and I get over my sense that it's too precious to be shown. Hold everything close, bide your time, and eventually sell it all for millions. I think that's how the logic went. (Past tense used in the most hopeful manner.)

Possible reasons for the dearth of posts of late:
-Shouting into the void was starting to wear.
-I simply wanted to escape my digital shackles. As a rule I'm in front of computers far more than I want to be.
-There's also the possibility that any benefit the blog as a writing exercise gave was being usurped by the less healthy blog as place to attempt expression of my personal value, self-worth and existence in the world. In short: self-worth defined via blogged experience and thoughts, where doing it counts for nothing until it has been shared.
(Note: I'm not commenting on blogging generally, just personal tendencies)

Forest for the trees kids! I never considered it consciously but maybe taking a step back from relating individual instances of being might allow the whole self to be revealed. Or something.

Maybe.
(Note: and after writing this post and re-reading it and editing it, maybe the effort I put into these doesn't match the reward, which I'm sure is directly tied in to what I consider the value of a blog post. Maybe because I dismiss my blog posts of holding any "real" value even before starting to write means the results will inevitably be dashed off and of lower quality? Heh, I'm going to stop thinking about the value of blog posts right now.)

Short stories: of late they're alright provided I sit down to do them. The ideas come and I write, but this is a recent phenomenon and it's pretty exhilarating. Instead of having to contemplate where everything is going before I start, I've started to just write. If the story takes a page, great. If it starts to grow, also great. Now that I have mostly removed the expectation of immensity these are more relaxing and fun. I can play around with words, narrative and narrator and lose nothing if it's a disaster.

I'm not churning them out every day, but I'm not a professional writer so whatever.

Poetry: I don't do this much and it's not a huge concern at the moment. I guess the odd tweet could still be considered poetic but I've certainly not made a concerted effort. There are a few I did write during the week of poems that I quite like. I've even had some feedback. What I haven't done is take that feedback and look at it alongside the poems in an attempt to improve and solidify my poetic chops. Eventually? Hope so, because poems are fun.

Non-fiction/essays: Eeeeeeeeee. As a recovering grad student there should be something more here. I guess this is what I was doing with some of my blog posts. Once or twice, not recently, I have tried to start a paper based on my thesis research. There has been no success on this front. Part of my dilemma is that I like to be right. If you put out an opinion, people might tell you that you're wrong. If you don't put out an opinion, there's no way to be wrong. Right?

I also like to take everything into account...read: EVERYTHING. If I start a position piece I often find myself wandering hither and yon, laying out opinions on too much. I also start to consider possible counter-arguments. Sometimes they make me doubt the entire premise I'm working from and other times I'm left with so many dragons to beat to death that any concision in what I was writing is lost. I guess my main problem with this type of writing is when I do do it I'm too scatty and unfocused, but that's indicative of my brain as a whole.

Personal essays from life are something I haven't done much of (certain blog posts, maybe?). Although I did write a piece while in France about a lady on plane. I talked to her in the most casual fashion and mulled over all sorts of tactics to further engage said lady in conversation. I didn't and in frustration wrote up the incident, with humourous asides and commentary, instead. That piece has subsequently been fictionalized and incorporated in the latest attempted novel.

Real life essays are something I'd like to try more of. The narrative and character(s) are already in place, so I'd get to invest all my energy into crafting words. That can only be good.

Scripts: I'm working on a short film. Not much to say about this. Periodically I find a story I think would be suited for such treatment but I haven't tried it enough to know where I'm at from a skillZ perspective.

Novels: SO BIG. I started writing this post because I had yesterday off. It was a good day. Arose at a reasonable hour, made breakfast and ate it while making soup (gingery butternut squash from Simply in Season for those interested). After lunch I proceeded to set up shop in U of T's Robarts Library to write the afternoon away. NOTHING HAPPENED. I wrote a little, but more importantly I sat a lot. I stared. I mulled. And slowly, over the course of the afternoon my mood became foul. There was also a nerd crush on a map librarian, but that was so clearly going to happen it barely warrants mention.

The day was still a good one. I'm always interested when I note a change in myself when it happens (mood, behaviour, etc.) because so often the changes pass me by. If I notice though, next time a similar situation yields similar results I'll know to avoid or enhance as required.

The personal personality puzzle, solvable one piece at a time.

And after the library some walking and talking with Daydream in the glorious night air cleansed my head and left me pleased again. Also, I rediscovered jumping over park benches. Hurdling is fine, but a two-footed leap, that is how we SOAR!!! The best is when the launch spot is slightly higher than the bench and the landing pad. When I do this at work over the rail fence while wearing my Inverness I feel like Batman.

But this is about writing, right? Novels!

Because a novel is substantial and has a long way to go, the characters' actions now will have repercussions down the line, everything I write feels weighted with meaning. Decisions on direction and scene crush my being and what ends up on page suffers as a result. I get too tired and frustrated before I get to the actual scene, then write something that skims and skips over what I'm trying to say as a result. The world I create is shallow and blah, not immersive and YAH!

I want to be able to write novels with the freedom I have when sending an email. Stream of consciousness wonder that is practically barfed from my fingertips. It's important to have goals, and mine happen to include fingers that puke.

But, at the same time, one must remain positive lest the darkness swallow you whole. A novel is a big thing and I'm learning to write the form while learning to write the write. Or learning to write as a writer more advanced than I might say. Slowly, creepily, things will get done and then I get to type it all up and commence the editing process. And that ladies and gentlemen is gravy, because even if you need to rewrite a whole scene, it's a whole scene in context of everything else, rather than the current case of scenes in a swirling void that contains only hints and intuitions of the universe I'm trying to create.

I've started novels before, but never finished. If I look back I probably stopped writing them around this stage of the process. The opening is there, the characters are fleshy, but the real guts of what needs to happen hasn't been dealt with yet. I'm at this wall again but pushing forward instead of wandering off.

I've been thinking of my thesis writing experience recently and how it compares to the novel process. That was a big thing. There were lots of ideas that I needed to pull together to lend coherence to a whole, and I got there. Eventually. When the writing was done I remember days of editing from printed sheets, rewriting sentences and whole paragraphs, rearranging the puzzle pieces until it all fit and made sense. To a degree of course.

A MASTER'S DEGREE. See what I did there? Without editing the world would have been worse for lacking that joke.

Writing, huzzah!

I could have written all this in a book and never revealed it, but if I did that chances are it never would have been finished.

Full circle: blog.

10.27.2009

poetry

I've been casually casting around, trying to learn something about modern poetry. It shouldn't be difficult and if I decided to focus on it I'm sure I could find what needs to be found - a book, a website or whatever.

It hasn't happened yet.

Part of the problem is I am reading a lot these days and as usual that means a lot of variety and all the reading styles said variety entails. Alongside Calvin and Hobbes beside my bed I have two books on picture framing (not ready for that project yet), a collection of short stories, a 20 year old National Geographic, Orwell's Down and Out in Paris and London, a stack of readings from BCPV that I don't think anyone else is reading (this is why I'm the best), Noel Castree's Nature (again) for the class I'm TAing and The Death of Nature: Women, Ecology and the Scientific Revolution just because I found a reference to it somewhere.

I'm hoping the last book, by Carolyn Merchant for those who care, will help me develop Gaia more fully. Gaia being (obviously no originality on my part) the Earth personified and the main protagonist in my comic, featuring everyone's favourite conflicted environmental superhero Antaeus Findlay. Right now I feel she's too stereotypical nature-mother-figure. The wild, uncontrolled woman as opposed the structured and rational male scientific society. I suppose there is some strength to be found in that view, but I have to be careful. Right now there's too much jealousy and vanity in why she does what she does and it needs something more to make her a complex being. I want to avoid a male-female binary paean and don't think creating a distinct female character to counteract Gaia will cut it.

Can you tell this story found its genesis when I was in grad school? And it's not even on top of my to do list. That's the novel. So why not throw poetry in there as something else I haven't read enough of, alongside short stories?

Yeesh. I just wanted to tell you about a neat poetry thing I found.

Here it is. Joel Stickley, a member of the Aisle 16 poetry group in Britain. He teaches you How to Write Badly Well and writes a damn fine poem. Complete with pictures!
So I have an entry into poetry. Hurray! Now I just need to learn a new reading style for the medium. One that is slower, more expansive and better able to take in what's on offer. Reading academic stuff lends itself to speed and skimming, as does having a to-read list a million miles long, not to mention only giving yourself a few minutes in bed to read before sleep is undeniable.

Priorities my good man.

Eventually I'll learn that life is life and needn't be completed by the end of the month; there's time to be apportioned. Perhaps I need to sharpen my apportioning sticks as much as anything else.

8.01.2009

Sound

Great news everyone! The main character in my new novel is called Sound.

No longer Thomas, which while a perfectly reasonable name didn't seem to do anything special for the character.

Sound on the other hand is unique, represents that the character is a sounding board for me currently (arty, no?) and perhaps best of all the word has all sorts of meanings that I will get to play with throughout the story. Sound in the aural sense, sounding board, a sound idea and of course a sound. It's like a bay but it's a sound, and being from where I'm from that's another little nod to me.

Of course I want to finish this one (third novel started in a significant manner for those counting), and I want it to be good, but I'm also happy to acknowledge that it is in large part about me and sorting things out along with the character. It's not autobiography but close enough that I feel a direct nod to me with such a name is good.

Eleanor is going to stay Eleanor. I don't know why other than it was the first name I thought of after the airplane incident and it seems to fit the lady who I ascribed it to. If I come up with something better I'll change it, but for the time being she's the beauty.